Bio.

Allen Ball (b. 1993, Green Cove Springs, Florida) is a New York-based artist whose work brings together painting, readymades, and sound to examine American landscape as a site of cultivation, development, maintenance, and erasure. Informed by early encounters with the slow conversion of forest to subdivision, Ball’s practice considers the gap between the landscapes America imagines for itself and the landscapes it actually produces: roadsides, residual woods, drainage edges, suburban margins, managed lawns, and plant life shaped by systems of infrastructure and control.

His Trace paintings on wood utilize pigments derived from hand-foraged clays and soils. These surfaces are built through multiple layers of paint applied over several days and then returned to the sites where their pigments were gathered; contact with the terrain mars their partially polymerized films. The resulting works function indexically as records of exposure, accumulation, and return, standing in for the material strata that persist beneath the urban grid.

At larger scales, Ball’s linen canvases are made with natural earth pigments and carbon black, condensing geological duration into dense, dark surfaces. In recent works, small paintings on black grounds depict plain skies, tree lines, clouds, and glimpses of managed and unmanaged land. These paintings are held in tar-like papier-mâché frames, where materials associated with repair, sealing, and weatherproofing become physical extensions of the image.

In installation, Ball uses surrogate objects such as decommissioned high-pressure sodium streetlights to create systems of competing temporalities. By rendering familiar forms of public infrastructure newly confrontational, he stages spaces in which visibility, duration, landscape, and the body’s orientation remain unsettled.

Ball holds an MFA from Pratt Institute and a BFA in Fine Art and Art History from the University of North Florida. He maintains a studio at the Elizabeth Foundation for the Arts, New York. Selected exhibitions include solo and group presentations at The Elizabeth Foundation for the Arts, the Museum of Contemporary Art Jacksonville, The Monira Foundation, and the Garment District Alliance Space for Public Art.

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