Bio.

Allen Ball (b. 1993, Green Cove Springs, Florida) is a New York-based artist working in painting, readymades, and sound. He grew up in North Florida watching forest become subdivision, pine woods cut for cul-de-sacs with names like Forest Lane, and River Road, and his work has stayed close to that transaction: what development takes, what persists beneath it, and who gets to remain unseen inside a managed landscape.

His ongoing Trace series is made with oil paint hand-ground from foraged clays and soils. Each surface is built over days, then returned to the site from which its pigment came; contact with the terrain mars the partially cured film. The works are records of exposure and return the land, standing in for the strata that persist beneath developed ground.

His paintings on raw linen work from sustained observation, painted on black grounds, with paint only where light appears. Each work of plain subjects, such as sky through trees, a silhouetted tree line, a cloud inside borders of exposed ground layers, and frayed linen, so that each image carries the visible record of its own making. In installation, surrogate objects such as a decommissioned high-pressure sodium streetlight bring the instruments of that managed landscape, such as its light, its hum, and its enforcement of visibility, into the room with the paintings.

Ball holds an MFA from Pratt Institute and a BFA from the University of North Florida. He maintains a studio at the Elizabeth Foundation for the Arts, New York, where his solo exhibition Forest Lane was presented in 2026 with the support of a Focus Award. His work has been shown at the Museum of Contemporary Art Jacksonville, the Monira Foundation, and the Garment District Alliance Space for Public Art.

Viewing Room