Statement.

My work explores how memory, control, and ecological erasure shape the American landscape. Through immersive installation, sound, and reductive painting, I examine how silence is not a neutral absence, but a constructed and enforced condition, especially in suburban, engineered, or ecologically manipulated environments.

My current solo project, Unnatural Silence, asks: If one sound defines America, is it the droning of a lawnmower? This noise evokes manicured lawns, cleared pastures, and fenced property lines a sonic backdrop to systems of order and erasure.

Raised on the rural edge of Northeast Florida’s suburban fringe, I came of age in a landscape marked by abandonment, reinvention, and uneasy beauty. Unnatural Silence draws on that terrain: an installation of chain-link fencing, scorched bark, and salvaged wood evokes the ruin of turn-of-the-century homesteads overtaken by sprawl. From beneath the structure, a low, resonant hum is transmitted through the floor, mirroring both the mechanical buzz of maintenance and the suppression of natural sound.

Surrounding the installation are small landscape paintings on handmade papier-mâché panels. These works pair luminous skies with redacted terrains that dissolve into a black ground. Together, the components frame land as an artifact of omission, something shaped as much by what is removed as by what is preserved.

My work resists easy nostalgia or spectacle. It seeks to create space for reckoning with what has been smoothed over, erased, or mythologized in the pursuit of order and clarity.

Bio.

Allen (b. 1993, Florida) is a New York–based artist whose paintings, sculptures, and installations investigate the evolving relationship between land, memory, and human intervention. Raised along the St. Johns River in Green Cove Springs, Florida, he witnessed the rapid transformation of local ecosystems, an experience that continues to shape his practice. His work explores these environmental shifts through the lens of material history, ecological erasure, and cultural memory.

Allen holds an MFA from Pratt Institute (2019) and a BFA in Fine Art and Art History from the University of North Florida (2017). He studied under master printer John Hutcheson of Tyler Graphics and has participated in programs abroad in Italy, Croatia, and Slovenia.